Mistake 4. Absence of an invitation to the clinic on each page Each page of your site should leads to concrete action. Read any information on the site clinic, the client must know what to do next. That is on every page you should encourage the visitor to action: call your clinic to make an appointment, send an e-mail, read the schedule for physicians to learn more about any service, etc. Error 5. Frightening clinical cases sites contain some clinics treatment of clinical cases. Most of them are of interest to dentists and patients can only scare.
Do not forget, for whom the site is done and what is its purpose. The problem of copyright: to bring to you the customer, rather than make it with horror to close your browser window. If you really want to show off your work, use more friendly images of smiling patients, and even better – schematic drawings or animated films with a description of the treatment process. Mistake 6. Articles and services, whose content is understandable only to doctors also clinical cases, the sites of dental clinics can often find articles that are understandable only to doctors. Such articles are easy to identify a large number of dental terms that you do not speak to visitors of dental clinics. Naturally, after reading an article "for dentists Dentists' visitor will hardly want to go to the clinic. What should be the training information on the site clinic? First and foremost it must be understood.
Such a line probably not increasingly tends to pass, but reacts more sensitive to tension and cramps. Erich Glahn writes in his book of Equitation at the crossroads”in the years 1956 the horse rising from the back of was cancelled. The way to the Schenkelganger and mechanized horse”(G. Rau) was” wrestled. “And in the adoption of the February 1953 the German Association of judges, it says in the interview: the pure speed over everything.:” we take the adoption of the German Association of judges, so every horse that shows no clock pure step would have to leave the square in a dressage test with a poor rating. What you see is, that clock impure horses (whether step, trot or Gallop) be placed on the front ranks. The clock impurity is acceptable become so also for judges, maybe just a peccadillo. But this can be, if it is said: the pure speed over everything? Where is the responsibility of the judges? Have to not especially the curb and through clear regulations punish mistakes training with accordingly bad grades? Would then be the rider not once again forced, correct and covered to ride and train? But no, tensioned kicks and steps everywhere you look.
On each tournament, yet almost no matter what performance level. Whether on an international level or in rural areas. With more and more horses seen inability today to step even a regulated and clock-pure. Which must be based on the mental and physical strain? These horses have to how tense and tense? How bad must it be actually trained? The base of all evil. u0085 the hard hand of the rider, the too short reins, the excess bridle of the horse as well as missing and / or incorrect exposure on the horse, constantly excessively high speed, too much pressure. Result: A horse that can no longer release located under the rider.
According to Jose Miguel Wisnik, ' ' adopting the xingamento, they proud revert the supposedly negative character of the expression, printing to it a connotation provocativa' '. It was what it made twisted of the Athletical Association Black Bridge. According to Aristides Almeida Rock, in its excellent book on the animal symbology in the sport, it has three theories that they explain why the Black Bridge is the Monkey. To know more about this subject visit Super Bowl LV. The theory of the torcedor Jose Mayan Renato Kings is of that, when the pontepretanos torcedores arrived in a city, they always walked in groups, what the inhabitants said that ' ' the flock of macacos' arrived; '. The theory of engineer Ariovaldo Casimiro Nesso that, according to Aristides, would have greater credit is of that, in the year of the foundation of the club, the pontepretanos played ball next to a bridge (Black) where, unexpectedly, it appeared a monkey. (The true one will be this, then it must be concluded that the Monkey is probably first mascote of the Brazilian soccer, as already we said in the chapter ' ' First mascote' ' , in our book Of the deep one of the trunk.) Finally, it has the theory ' ' tradicional' ' , of that it was a xingamento of the twisted bugrina.
There the pontepretanos had transformed the lemon into lemonade and the monkey is mascote official of Bridge. Well, it was not difficult to the pontepretanos to find qualities in ' ' xingamento' '. As it would say the great Cascudo Chamber, the monkey ' ' it is the figure of the agility, astuteness without escrpulos, infallibly victorious for the rapidity in the unexpected solutions and felizes' '. In posterior edition of its famous Dictionary of the Brazilian folklore, it says more: that ' ' in the classic fabulrio the monkey appears as symbol of cynical ability, shrewdness and ligeireza.
Its passion persistence cost some money for it and its son, whom they had needed to open hand of lunches to be able to carry through that work. The painter passed for financial difficulties, but she did not leave to paint. When finishing the screen of ' ' Supper of Cardeais' ' , as its dimension was improper for what it demanded the regulation, a friend suggested that the painter cut the head of one of the cardinals and concurred with this part of the screen. Guiomar if denied to mutilate its workmanship. In the hour of the judgment, the men would have to raise its cane to confirm the acceptance of the work. All the canes had been raised.
Some time later the picture was bought by the Brazilian government, that of it made gift for Portugal, being changed by the sword of D. Peter I. Today the picture if it finds in the Museum of Lisbon. Another ticket, of the famous painter, who illustrates the difficulties of the artists of that time was when Guiomar Fagundes knew that its picture Bay in the Quitandeira, that it had sent for a hall in Italy, met in customs, in a lot to be auctionzed. The painter had that to buy all the scrap iron of the lot to be able to save its workmanship, making use of its few economies.
When carrying one from its celebrities and delicate nakeds of Paris to Florena, where it would go exp it, it was barred in customs to declare the value of the screen. As the author wise person not to say price the authorities had said that in that country it was very valuable, taxing a superior amount to the possibilities of the artist. Not obtaining its release, exactly showing that it was of its authorship, it did not obtain to pay the cited tax, having that to cut it in straps to get rid itself of the incubencies.